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Bio


The Battle of Santiago: Call it a sound clash with a victorious outcome. This Toronto-based instrumental ensemble comprises seemingly disparate musical elements. Out of potential conflict, however, comes a bracingly refreshing new sound that is quickly turning ears.

 

Group founder and creative catalyst Michael Owen explains "Within The Battle of Santiago (TBOS) we have a Latino section and a Canadian section. Everyone comes with such a variety of experiences. That can create something of a battle within the group, I think that kind of energy or tension creates a really good environment. You can feel the push and pull."

 

This instrumental lineup of The Battle of Santiago helps account for its unique sound. The drummer-less percussion provides a solid yet subtle sonic foundation, upon which the other instruments weave their magic, intersecting with each other in fascinating fashion. The result is music that is simultaneously rhythmic, ambient and atmospheric, a tricky combination that TBOS achieves with graceful ease. "I believe we've developed a sound I haven't heard before and that makes it interesting. That's the whole reason I'm doing this," explains Owen.

 

This style is eloquently showcased on Full Colour, the debut full-length The Battle of Santiago album making converts at campus radio, Full Colour was released under The Battle of Santiago moniker on Owen's new independent label, Made With Pencil Crayons, charting nationally hitting #14 on the 2012 Top 20 College radio charts for international music.

 

The Battle of Santiago has also quickly earned a reputation as a dynamic and exhilarating band live, one that uses video and lighting to striking effect. In partnership with artist/designer Patricio Davila, the group integrates digital visual art, live musical performance and audience interaction, creating an organic audio / visual installation designed to stimulate the senses in vivid fashion. "I've always presented multi-media performances with my bands, and the sound of The Battle of Santiago really lends itself to that environment," says Owen.

 

Showcasing at Ontario Council of Folk Festivals conference, Mundial Montreal, Canadian Music Week, and Le Festival Musique Multi Montreal and thrilled audiences at Yonge & Dundas Square for the Small World Music Festival and helped fuel public interest, and in July 2012, TBOS had a successful tour of British Columbia. A second full-length album, Followed by Thousands, was readied on a March 5th, 2013 debuting at #4 on the International music charts in Canada, evidence that the band is on a real creative roll.

 

The Battle of Santiago are not sonic purists. Owen readily acknowledges that "I'm not a world or Latin music guy. I've always produced rather ambient experimental music. I'm still learning about rhythms and styles, but I have learned so much from Reimundo. He has really opened my eyes to the fact that I don't need a drummer. I'd always been focused on the typical rock band setup."

 

In turn, Owen has encouraged the percussionists in The Battle of Santiago to step outside of their comfort zones in the way they approach the compositions. It is this sense of creative musical exploration within the group that helps set it apart. Each member of The Battle of Santiago has considerable sonic input. "I can always make music by myself, but I get better music if I make it with other people," Owen explains. "If I'm telling people what to do, it rather defeats the purpose of having them involved. I want to use their individual styles and sound on what we're doing." The freedom given each musician to express themselves through improvisational creativity allows the arrangement of each composition to evolve organically.

 

Defining the TBOS sound is a slippery task, but Owen's preferred phrase, Afro-Cuban Post-Rock, best encapsulates its essence. "We're not doing Latin rock like Santana, we're not doing orthodox post-rock because we've got these Latin rhythms, and it's not traditional Afro-Cuban either," he says.

 

Refusing to limit themselves to the parameters of one style does have its dangers, Owen acknowledges. "The world music types say it's not rootsy or folkie enough, the jazz crowd say it's too loud, and the rock guys say it's too world. We get beat up from all sides. Although Owen does look at it positively, our first release hit the World, Jazz and Top 30 college radio charts here in Canada. That really showed us we're doing something different." The group is now focused on upon recording and producing new material for their third full-length album set for release in 2014.